THE PASSING OF THE ESSAY.
It is the curious custom of modern men of letters to talk to the world a great deal about their work; to explain its conditions, to uphold its value, to protest against adverse criticism, and to interpret the needs and aspirations of mankind through the narrow medium of their own resources. A good many years have passed since Mr. Arnold noticed the growing tendency to express the very ordinary desires of very ordinary people by such imposing phrases as "laws of human progress" and "edicts of the national mind." To-day, if a new story or a new play meets with unusual approbation, it is at once attributed to some sudden mental development of society, to some distinct change in our methods of regarding existence. We are assured without hesitation that all stories and all plays in the near future will be built up upon these favored models.
To a few of us, perhaps, such prophetic voices have but a dismal ring. We listen to
