from the Greek. Mr. Pater's essays—which, however, are not light—are far better known than his beautiful "Marius the Epicurean." Lamb's "Elia" is more widely read than are his letters, though it would seem a heart-breaking matter to choose between them. Hazlitt's essays are still rich mines of pleasure, as well as fine correctives for much modern nonsense. The first series of Mr. Arnold's "Essays in Criticism" remains his most popular book, and the one which has done more than all the rest to show the great half-educated public what is meant by distinction of mind. Indeed, there never was a day when by-roads to culture were more diligently sought for than now by people disinclined for long travel or much toil, and the essay is the smoothest little path which runs in that direction. It offers no instruction, save through the medium of enjoyment, and one saunters lazily along with a charming unconsciousness of effort. Great results are not to be gained in this fashion, but it should sometimes be play-hour for us all. Moreover, there are still readers keenly alive to the pleasure which literary art can give; and the essayists, from Addison down to Mr. Arnold and
