erected at the same time, but additions were made and statues erected by different kings, or, perhaps, in commemoration of important events in the history of the city. Along the whole line were ranges of steps with pyramidal elevations, probably crowned on the top with buildings or altars now ruined. All these steps and the pyramidal sides were painted, and the reader may imagine the effect when the whole country was clear of forest, and priest and people were ascending from the outside to the terraces, and thence to the holy places within to pay their adoration in the temple.
Within this enclosure are two rectangular courtyards, having ranges of steps ascending to terraces. The area of each is about forty feet above the river. Of the larger and most distant from the river the steps have all fallen, and constitute mere mounds. On one side, at the foot of the pyramidal wall, is the monument or "idol" marked B, of which the engraving No. 11 represents the front. It is about the same height with the others, but differs in shape, being larger at the top than below. Its appearance and character are tasteful and pleasing, but the sculpture is in much lower relief; the expression of the hands is good, though somewhat formal. The back and sides are covered with hieroglyphics.
Near this, at the point marked A, is a remarkable altar, which perhaps presents as curious a subject of speculation as any monument in Copan. The altars, like the idols, are all monolithic, or of a single block of stone. In general they are not so richly ornamented, and are more faded and worn, or covered with moss; some were completely buried, and of others it was difficult to make out more than the form. All differed in fashion,
