on the left of the pathway, at the point marked K. This statue is fallen and the face destroyed. It is twelve feet high, three feet three inches on one side, and four feet on the other. The altar is sunk in the earth, and we give no drawing of either.
At a distance of 200 feet stands the one marked S. It is eleven feet eight inches high, three feet four inches on each side, and stands with its front to the east on a pedestal six feet square, the whole resting on a circular stone foundation sixteen feet in diameter. Before it, at a distance of eight feet ten inches, is an altar, partly buried, three feet three inches above the ground, seven feet square, and standing diagonally to the “idol". It is in high relief, boldly sculptured, and in a good state of preservation.
The engravings which follow, Nos. 16 and 17, represent the front and back view. The front, from the absence of a beard and from the dress, we supposed to be the figure of a woman, and the countenance presents traits of individuality, leading to the supposition that it is a portrait.
The back is a different subject. The head is in the centre, with complicated ornaments over it, the face broken, the border gracefully disposed, and at the foot are tablets of hieroglyphics. The altar is introduced on one side, and consists of four large heads strangely grouped together, so as not to be easily made out. It could not be introduced in its proper place without hiding the lower part of the "idol". In drawing the front, Mr. Catherwood always stood between the altar and the "idol".
A little behind this is the monument marked T, No. 18. It is one of the most beautiful in Copan, and in workmanship is equal to the finest Egyptian sculpture. Indeed, it would be impossible, with the best instruments of modern times, to cut stones more perfectly. It stands at the foot of a wall of steps, with only the head and part of the breast rising above the earth. The rest is buried, and probably as perfect as the portion which is now visible. When we first discovered it, it was buried up to the eyes. Arrested by the beauty of the sculpture, and by its solemn and mournful position, we commenced excavating. As the ground was level up to that mark, the excavation was made by loosening the earth with the machete, and scooping it out with the hands. As we proceeded, the earth formed a wall around and increased the labour. The Indians struck so carelessly with their machetes, that, afraid to let them work near the stone, we cleared it with our own hands. It was impossible, however, to continue; the earth was matted together by roots which entwined and bound the monument. It required a complete throwing out of the earth for ten or twelve feet around; and without proper tools, and afraid of
