blue gowns, with round hoods covering their heads, and having only holes for the eyes, leading two mules abreast, covered with black cloth dresses enveloping their whole bodies to their feet, the long trains of which were supported by men attired like the other two. Then followed the large silver cross of the crucifixion, with a richly ornamented silver pedestal, and ornaments dangling from each arm of the cross that looked like lanterns, supported by four men in long black dresses. Next came a procession of Indians, two abreast, wearing long black cloaks, with black felt hats, the brims six or eight inches wide, all with lighted candles in their hands, and then four Indians in the same costume, but with crowns of thorns on their heads, dragging a long low carriage or bier filled with pine-leaves, and having a naked scull laid on the top at one end.
Next, and in striking contrast with this emblem of mortality, advanced an angel in the attitude of an opera-dancer, borne on the shoulders of six men, dressed in flounced purple satin, with lace at the bottom, gauze wings, and a cloud of gauze over her head, holding in her right hand a pair of silver pincers, and in her left a small wooden cross, and having a train of white muslin ten yards long, supported by a pretty little girl fancifully dressed. Then another procession of Indians with lighted candles; then a group of devils in horrible masquerade. Then another angel, still more like an opera dancer, dressed in azure blue satin, with rich lace wings, and clouds, and fluttering ribands, holding in her right hand a ladder, and in her left a silver hammer; her train supported as before; and we could not help seeing that she wore black velvet smallclothes. Then another angel, dressed in yellow, holding in her right hand a small wooden cross, and in the other I could not tell what.
The next in order was a beautiful little girl about ten years old, armed cap-a-pie, with breastplate and helmet of silver, also called the centurion, who moved along in a slow and graceful dance, keeping time to the music, turning round, stopping, resting on her sword, and waving on a party worthy of such a chief, being twelve beautiful children fancifully dressed, intended to represent the twelve apostles; one of them carrying in his arms a silver cock, to signify that he was the representative of St. Peter. The next was the great object of veneration, the figure of the Christ crucified, on a bier, in a full length case of plate glass, strewed with roses inside and out, and protected by a mourning canopy of black cloth, supported by men in long black gowns, with hoods covering all but the eyes. This was followed by the cura and priests in their richest robes and bareheaded, the muffled drum, and soldiers with arms reversed; the Virgin Mary, in a long
