it has three stories. Entering over a heap of rubbish at the base, was found within another tower, distinct from the outer one, and a stone staircase, so narrow that a large man could not ascend it. The staircase terminates against a dead stone ceiling, closing all further passage to the last step being only six or eight inches from it. For what purposes a staircase was carried up to such a bootless termination we could not conjecture. The whole tower was a substantial stone structure, and in its arrangements and purposes about as incomprehensible as the sculptured tablets.
East of the tower is another building with two corridors, one richly decorated with pictures in stucco, and having in the centre the elliptical tablet represented in the engraving opposite. It is four feet long and three wide, of hard stone set in the wall, and the sculpture is in bas-relief. Around it are the remains of a rich stucco border. The principal figure sits cross-legged on a couch ornamented with two leopards' heads; the attitude is easy, the physiognomy the same as that of the other personages, and the expression calm and benevolent. The figure wears around its neck a necklace of pearls, to which is suspended a small medallion containing a face; perhaps intended as an image of the sun. Like every other subject of sculpture we had seen in the country, the personage had earrings, bracelets on the wrists and a girdle round the loins. The head-dress differs from most of the others at Palenque, in that it wants the plumes of feathers. Near the head are three hieroglyphics.
The other figure, which seems that of a woman, is sitting cross-legged on the ground, richly dressed, and apparently in the act of making an offering. In this supposed offering is seen a plume of feathers, in which the head-dress of the principal person is deficient. Over the head of the sitting personage are four hieroglyphics. This is the only piece of sculptured stone about the palace except those in the courtyard. Under it formerly stood a table, of which the impression against the wall is still visible, and which is given in the engraving in faint lines, after the model of other tables still existing in other places.
At the extremity of this corridor there is an aperture in the pavement, leading by a flight of steps to a platform; from this a door, with an ornament in stucco over it, opens by another flight of steps upon a narrow dark passage, terminating in other corridors, which run transversely. These are called subterraneous apartments; but there are windows opening from them above the ground, and, in fact, they are merely a ground-floor below the pavement of the corridors. In most parts, however, they are so dark that it is necessary to visit them with
