other fishes. The figure wears a rich-embroidered tippet, and a broad girdle, with the head of some animal in front, sandals, and leggings: the right hand is extended in a prayerful or deprecating position, with the palm outward. Over the heads of these mysterious personages are three cabalistic hieroglyphics.
We considered the oratorio or altar the most interesting portion of the ruins of Palenque; and in order that the reader may understand it in all its details, the plate. No. 75, is presented, which shows distinctly all the combinations of the doorway, with its broken ornaments, the tablets on each side; and within the doorway is seen the large tablet on the back of the inner wall. The reader will form from it some idea of the whole, and of its effect upon the stranger, when, as he climbs up the ruined pyramidal structure, on the threshold of the door this scene presents itself. We could not but regard it as a holy place, dedicated to the gods, and consecrated by the religious observances of a lost and unknown people. Comparatively, the hand of ruin has spared it, and the great tablet, surviving the wreck of elements, stands perfect and entire. Lonely, deserted, and without any worshippers at its shrine, the figures and characters are distinct as when the people who reared it went up to pay their adorations before it. To us it was all a mystery; silent, defying the most scrutinising gaze and reach of intellect. Even our friends the padres could make nothing of it.
Near this, on the top of a pyramidal structure, was another building entirely in ruins, which apparently had been shattered and hurled down by an earthquake. The stones were strewn on the side of the pyramid, and it was impossible even to make out the ground-plan.
Returning to No. 1, and proceeding south, at a distance of 1,500 feet, and on a pyramidal structure 100 feet high from the bank of the river, is another building, marked on the plan No. 4, 20 feet front, and 18 feet deep, but unfortunately in a ruined condition. The whole of the front wall has fallen, leaving the outer corridor entirely exposed. Fronting the door, and against the back wall of the inner corridor, was a large stucco ornament, representing a figure sitting on a couch; but a great part has fallen, or been taken off and carried away.[1] The body of the couch, with tigers' feet, is all that now remains. The outline of two tigers' heads and of the sitting personage is seen on the wall. The loss or destruction of this ornament is more to be regretted, as from what remains it appears to have been superior in execution to any other stucco relief in Palenque. The body of the couch is entire, and the leg and foot hanging down
- ↑ By Monsieur de Waldeck.
