population, roll it on its back or backs, and punch it in the ribs. As a boy, his earliest ambition had been to become a veterinary surgeon; and, though the years had cheated him of his career, he knew all about dogs, their points, their manners, their customs, and their treatment in sickness and in health. In short, he loved dogs, and, had they met under happier conditions, he would undoubtedly have been on excellent terms with this one within the space of a minute. But, as things were, he abstained from fraternising and continued to goggle dumbly.
And then his eye, wandering aside, collided with the following objects: a fluffy pink dressing-gown, hung over the back of a chair, an entirely strange suit-case, and, on the bureau, a photograph in a silver frame of a stout gentleman in evening-dress whom he had never seen before in his life.
Much has been written of the emotions of the wanderer who, returning to his childhood home, finds it altered out of all recognition; but poets have neglected the theme—far more poignant—of the man who goes up to his room in an hotel and finds it full of somebody else's dressing-gowns and bulldogs.
Bulldogs! Archie's heart jumped sideways and upwards with a wiggling movement, turning two somersaults, and stopped beating. The hideous truth, working its way slowly through the concrete, had at last penetrated to his brain. He was not only in somebody else's room, and a woman's at that. He was in the room belonging to Miss Vera Silverton.
He could not understand it. He would have been prepared to stake the last cent he could borrow from his
