The last day came. Early in the morning the Maestro called Vincente, and with his help put on the khaki, the leather puttees, the belt with its burden loose along the thigh. The pony, all saddled, was standing outside. He meant to slip out unnoticed.
But once in the sala a sudden remorse detained him in hesitation. For the good of his soul, he knew he must not see her. And yet, it seemed black ingratitude, this sneaking departure. His eyes wandered over the table with a vague idea of leaving a written good-by
A gliding swish behind him made him turn. She stood in the frame of the door, looking at him. She was wrapped in a loose gown, mauve-tinted, that stopped in a square before reaching the neck. Her hair fell in two braids behind her, leaving a haze of gold shimmering before the eyes; and her eyes shone through, calm, wondering, and blue. A vestige of pure, white sleep still hung about her cloyingly, and she was adorable.
"You are going?" she asked—and the words floated slowly, as if held back by some indefinable regret.
"Yes," he said; "I must go back."
She stood looking slightly past him at something very far, into an infinity that was desolate; her eyes widened, purpled.
