ment was carried to him and he began to nod, very gently and gravely. He seemed to be saying: 'No, Ah cain't affawd it.' It was atrocious. Finally I was by his side and he was again motionless, staring thoughtfully. Then I saw what he was considering. In his hands, which lay twined on his knees, were a lot of little metallic oblongs. I disengaged them. The muchacho drew nearer, and with the torch over my shoulder I examined them. They were photographs, cheap tintypes. The first was of a woman, a poor being, sagging with overwork, a lamentable baby in her arms. The other pictures were of children—six of them, boys and girls, of all ages from twelve to three, and under each, in painful chirography, a name was written—Lee Miller, Amy Miller, Geraldine Miller, and so on.
"You don't understand, do you? For a moment I didn't understand. I stared stupidly at those tintypes, shuffled and reshuffled them; the torch roared in my ear. Then, suddenly, understanding came to me; it came sharp as a pang. He had a wife and children—seven children.
"A simple fact, wasn't it, a commonplace one, almost vulgar, you might say. And yet what a change of view produced by it, what a dislocation of judgment! I was like a man riding through a strange country, in a storm, at night. It is dark, he cannot