"Happy Japan,
Garden of glitter!
Flower and fan,
Flutter and flitter;
Lord of Bamboo,
(Juvenile whacker!)
Porcelain too,
Tea-tray and lacquer!"
"Light-hearted friends of Japan find in these lines the most happy features of the country, and overlook the gross injustice done in the play to the Japanese nation. A Japanese chief of police is made to proclaim publicly that superior authority exists in order to satisfy the personal desires of its holder. Human souls are sold by public auction, and a person may be found guilty, according to law, after trial or before! I would not complain of these imputations, or rather results of ignorance, creeping into a comic piece if it were not patronised by those who think themselves good friends of Japan, and if it were not illustrative of the way in which they look at our country."
At last, in September 1899, a serious romantic play, purporting to represent Japanese life, was produced under the title of "The Moonlight Blossom." It was even more faithfully staged than the comic operas. We now saw for the first time a Shintō priest, a blind shampooer, and a temple with wooden torii and stone lanterns. The plot was compounded of Adelphi elements, familiar enough, in spite of their flavouring from Liberty's. You had the good and bad brothers, the misunderstood heroine, the intriguing widow, forged documents, secret meetings, attempted murder. You had even the "comic relief" and cockney humour of a duel on stilts. But Adelphi incidents would not
