NOTE ON JOB AND THE MODERN POETS.
Job, like Spenser, should be the poet of poets; but though Goethe has imitated him in royal fashion, and here and there other poets such as Dante may offer allusions, yet Milton is the only poet who seems to have absorbed Job. Paradise Regained is in both form and contents a free imitation of the Book of Job, the story of which is described in i. 368-370, 424-6, iii. 64-67. The following are the principal allusions in Paradise Lost:—i. 63, comp. Job x. 22; ii. 266, comp. Job iv. 16; ii. 603, comp. Job xxiv. 19 Vulg.; iv. 999 comp. Job xxviii. 25; vii. 253-4 (Hymn on the Nativity, st. 12), comp. Job xxxviii. 4-7; vii. 373-5, comp. Job xxxviii. 31; vii. 102, comp. Job xxxviii. 5. Shelley, too, is said to have delighted in Job; I must leave others to trace this in his works. I conclude with Thomas Carlyle. The words—'Was Man with his Experience present at the Creation, then, to see how it all went on? System of Nature! To the wisest man, wide as is his vision, Nature remains of quite infinite depth, of quite infinite expansion'[1]—are at once a paraphrase of the questions of Eliphaz, 'Art thou the first man that was born?. . . Didst thou hearken in the council of Eloah?' (xv. 7, 8), and a suggestive statement of the problem of Job as a challenge to limited human 'experience' to prove its capacity for criticising God's ways. NOTE ON THE TEXT OF JOB.
That the received text of our Hebrew Bible has a long history behind it, is generally recognised; and few will deny that its worst corruptions arose in the pre-Massoretic and pre-Talmudic periods (comp. The Prophecies of Isaiah, vol. ii., Essay vii.) The popularity of the Book of Job may not have been equal to that of many other books, but we have seen reason to suppose that within the circles of the 'wise men' it was eagerly studied and imitated. In those early
- ↑ Sartor Resartus ('Natural Supernaturalism').
