I had some talk with him then. During the performance I saw him in his box, “sitting still,” as he said, watching with the singular grave intensity with which he watched life. It struck me then that he was the only person there sufficiently simple to be really interested in living people; and that it was this simplicity which gave him his charm. He found the life in a man very well worth wonder, even though the man were a fool, or a knave, or just down from Oxford. At the end of the play I saw him standing in his box, gravely watching the actors as the curtain rose and again rose during the applause. Presently he turned away to speak to the lady who had read his plays on the night of his first success. The play was loudly applauded. Some people behind me—a youth and a girl—began to hiss. I remember thinking that they resembled the bird they imitated. I only saw Synge on two other occasions. I met him at a dinner party, but had no talk with him, and I called upon him at his old lodgings in Handel Street. He said:–
“Doesn’t it seem queer to you to be coming back here?”
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