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JOHN SILENCE

the floors seemed padded, the walls provided with cushions. The sounds of the streets could not penetrate there. It was an atmosphere of absolute rest that surrounded him.

On engaging the two-franc room he had interviewed the only person who seemed to be about that sleepy afternoon, an elderly waiter with Dundreary whiskers and a drowsy courtesy, who had ambled lazily towards him across the stone yard; but on coming downstairs again for a little promenade in the town before dinner he encountered the proprietress herself. She was a large woman whose hands, feet, and features seemed to swim towards him out of a sea of person. They emerged, so to speak. But she had great dark, vivacious eyes that counteracted the bulk of her body, and betrayed the fact that in reality she was both vigorous and alert. When he first caught sight of her she was knitting in a low chair against the sunlight of the wall, and something at once made him see her as a great tabby cat, dozing, yet awake, heavily sleepy, and yet at the same time prepared for instantaneous action. A great mouser on the watch occurred to him.

She took him in with a single comprehensive glance that was polite without being cordial. Her neck, he noticed, was extraordinarily supple in spite of its proportions, for it turned so easily to follow him, and the head it carried bowed so very flexibly.

"But when she looked at me, you know," said Vezin, with that little apologetic smile in his brown eyes, and that faintly deprecating gesture of the shoulders that was characteristic of him, "the odd notion came to me that really she had intended to make quite a different movement, and that with a