figures looked like shadows as he caught glimpses of their quiet movements far below.
He sat there for some time pondering, bathed in the waves of murmurs and half-lost echoes that rose to his ears, muffled by the leaves of the plane trees. The whole town, and the little hill out of which it grew as naturally as an ancient wood, seemed to him like a being lying there half asleep on the plain and crooning to itself as it dozed.
And, presently, as he sat lazily melting into its dream, a sound of horns and strings and wood instruments rose to his ears, and the town band began to play at the far end of the crowded terrace below to the accompaniment of a very soft, deep-throated drum. Vezin was very sensitive to music, knew about it intelligently, and had even ventured, unknown to his friends, upon the composition of quiet melodies with low-running chords which he played to himself with the soft pedal when no one was about. And this music floating up through the trees from an invisible and doubtless very picturesque band of the townspeople wholly charmed him. He recognised nothing that they played, and it sounded as though they were simply improvising without a conductor. No definitely marked time ran through the pieces, which ended and began oddly after the fashion of wind through an Æolian harp. It was part of the place and scene, just as the dying sunlight and faintly-breathing wind were part of the scene and hour, and the mellow notes of old-fashioned plaintive horns, pierced here and there by the sharper strings, all half smothered by the continuous booming of the deep drum, touched his soul with a curiously potent spell that was almost too engrossing to be quite pleasant.
