which the desire of pleasing is certain to produce, and precluded the vain expedients of softening censure by apologies, or rousing attention by abruptness.
The epick writers have found the proemial part of the poem such an addition to their undertaking, that they have almost unanimously adopted the first lines of Homer, and the reader needs only be informed of the subject, to know in what manner the poem will begin.
But this solemn repetition is hitherto the peculiar distinction of heroick poetry; it has never been legally extended to the lower orders of literature, but seems to be considered as an hereditary privilege, to be enjoyed only by those who claim it from their alliance to the genius of Homer.
The rules which the injudicious use of this prerogative suggested to Horace, may indeed be applied to the direction of candidates for inferior fame; it may be proper for all to remember, that they ought not to raise expectation which it is not in their power to satisfy, and that it is more pleasing to see smoke brightening into flame, than flame sinking into smoke.
This precept has been long received, both from regard to the authority of Horace, and its conformity to the general opinion of the world; yet there have been always some, that thought it no deviation from modesty to recommend their own labours, and imagined themselves entitled by indisputable merit to an exemption from general restraints, and to elevations not allowed in common life. They perhaps believed, that when, like Thucydides, they bequeathed to mankind Κτῆμα ἐς ἀεί, an estate for ever, it was an additional favour to inform them of its value.
