speakers, or the speakers must be raised to the height of the sentiments.
In consequence of these original errors, a thousand precepts have been given, which have only contributed to perplex and confound. Some have thought it necessary that the imaginary manners of the golden age should be universally preserved, and have therefore believed, that nothing more could be admitted in pastoral, than lilies and roses, and rocks and streams, among which are heard the gentle whispers of chaste fondness, or the soft complaints of amorous impatience. In pastoral, as in other writings, chastity of sentiment ought doubtless to be observed, and purity of manners to be represented; not because the poet is confined to the images of the golden age, but because, having the subject in his own choice, he ought always to consult the interest of virtue.
These advocates for the golden age lay down other principles, not very consistent with their general plan; for they tell us, that, to support the character of the shepherd, it is proper that all refinement should be avoided, and that some slight instances of ignorance should be interspersed. Thus the shepherd in Virgil is supposed to have forgot the name of Anaximander, and in Pope the term Zodiack is too hard for a rustick apprehension. But if we place our shepherds in their primitive condition, we may give them learning among their other qualifications; and if we suffer them to allude at all to things of later existence, which, perhaps, cannot with any great propriety be allowed, there can be no danger of making them speak with too much accuracy, since they conversed with divi-
