ment which the human mind of the ape-man craved. Merely to kill was not in itself sufficient. Accustomed to the sight of death, Tarzan found no great pleasure in it. Long since had he avenged the death of Kala, but in the accomplishment of it, he had learned the excitement and the pleasure to be derived from the baiting of the blacks. Of this he never tired.
It was just as he was about to spring forward with a savage roar that a figure appeared in the doorway of the hut. It was the figure of the wailer whom he had come to still, the figure of a young woman with a wooden skewer through the split septum of her nose, with a heavy metal ornament depending from her lower lip, which it had dragged down to hideous and repulsive deformity, with strange tattooing upon forehead, cheeks, and breasts, and a wonderful coiffure built up with mud and wire.
A sudden flare of the fire threw the grotesque figure into high relief, and Tarzan recognized her as Momaya, the mother of Tibo. The fire also threw out a fitful flame which carried to the shadows where Tarzan lurked, picking out his light brown body from the surrounding darkness. Momaya saw him and knew him. With a cry, she leaped forward and Tarzan came to meet her. The other women, turning, saw him, too; but they did not come toward him. Instead they rose as one, shrieked as one, fled as one.
