instance, a ship carrying the body with one of these velocities, while another movable force, immovably bound up with the ship, impresses upon the body the second velocity, which is equal to the previous one. In this it must always be presupposed that the body maintains itself in free motion with the first velocity when the second enters; but this is a natural law of moving forces, which cannot come into consideration when the question is simply how the conception of veh city is constructed as a quantity; so much as to the addition of velocities to one another. But when the question is of the subtraction of one from the other, this latter is easily conceivable, if the possibility of a velocity, as quantity by addition, has once been admitted; yet this conception cannot be so easily constructed, for to this end two contrary motions must be combined in one body; and how is this to happen? Immediately, namely, in respect of the same resting space, it is impossible to conceive of two equal motions in contrary directions in the same body; but the idea of the impossibility of these two motions in one body is not the conception of its rest, but of the impossibility of the construction of this composition of contrary motions, which is nevertheless assumed in the proposition as possible. Now this construction is not otherwise possible, than by the combination of the motion of the body with the motion of the space as has been demonstrated. Finally, as concerns the composition of two motions, whose direction encloses an angle, they do not admit of being conceived in a body, in reference to one and the same space, if one of them be not affected by an external continuous inflowing force (for instance, a vessel bearing the body onward), while the other maintains itself unaltered, or generally [expressed]: one must have as a basis, moving forces, and the production of a third movement from two combined forces, but this, although the mechanical carrying out of that which contains a conception, is not its mathematical construction, which has only to render inimitable what the object is (as quantum), not, how it may be transformed by nature or art, by means of sundry implements and forces. The composition of motions, in order to determine their relation to others as quantity, must take place
