the features could be dimly made out and seated round that inhospitable board, with Death himself for a host, it is impossible to imagine. That the practice of thus preserving their kings must have been an ancient one is evident from the number, which, allowing for an average reign of fifteen years, supposing that every king who reigned was placed here—an improbable thing, as some are sure to have perished in battle far from home—would fix the date of its commencement at four and a quarter centuries back.
But the colossal Death, who sits at the head of the board, is far older than that, and, unless I am much mistaken, owes his origin to the same artist who designed the three Colossi. He is hewn out of a single stalactite, and, looked at as a work of art, is most admirably conceived and executed. Good, who understands anatomy, declared that, so far as he could see, the anatomical design of the skeleton is perfect down to the smallest bones.
My own idea is, that this terrific object was a freak of fancy on the part of some old-world sculptor, and that its presence had suggested to the Kukuanas the idea of placing their royal dead under its awful presidency. Or perhaps it was set there to frighten away any marauders who might have designs upon the treasure chamber beyond. I cannot say. All I can do is to describe it as it is, and the reader must form his own conclusion.
Such, at any rate, was the White Death and such were the White Dead!
