tectural mass close by, discovered a slot—an enameled plaque of directions.
It was some sort of musical box! As a matter of fact, it was the very best sort of Harmonicon and specially made to the scale of the Hotel.
He scrutinised the plaque with his head at various angles and glanced about him at his neighbours.
It occurred to Kipps that he would like some music, that to inaugurate some would show him a man of taste and at his ease at the same time. He rose, read over a list of tunes, selected one haphazard, pressed his sixpence—it was sixpence!—home, and prepared for a confidential, refined little melody.
Considering the high social tone of the Royal Grand, it was really a very loud instrument indeed. It gave vent to three deafening brays and so burst the dam of silence that had long pent it in. It seemed to be chiefly full of the greatuncles of trumpets, megalotrombones and railway brakes. It made sounds like shunting trains. It did not so much begin as blow up your counter-scarp or rush forward to storm under cover of melodious shrapnel. It had not so much an air as a ricochette. The music had, in short, the inimitable quality of Sousa. It swept down upon the friend of Lady Jane and carried away something socially striking into the eternal night of the unheard; the American girl to the left of it was borne shrieking into the inaudible. "High cockalorum Tootletootle tootle loo. High cockalorum tootle lootle loo. Bump, bump, bump—bump." Joyous, exorbitant music it
