It was but a momentary glimpse; yet that moment convinced me that forms of Phidian perfection are still nurtured in the vales of Caucasus.
The necessary disguise of dress hides from us much of the beauty and dignity of Humanity. I have seen men who appeared heroic in the freedom of nakedness, shrink almost into absolute vulgarity, when clothed. The soul not only sits at the windows of the eyes, and hangs upon the gateway of the lins; she speaks as well in the intricate, yet harmonious lines of the body, and the ever-varying play of the limbs. Look at the torso of Ilioneus, the son of Niobe, and see what an agony of terror and supplication cries out from that headless and limbless trunk! Decapitate Laocoön, and his knotted muscles will still express the same dreadful suffering and resistance. None knew this better than the ancient sculptors; and hence it was that we find many of their statues of distinguished men wholly or partly undraped. Such a view of Art would be considered transcendental now-a-days, when our dress, Our costumes, and our modes of speech either ignore the existence of our bodies, or treat them with little of that reverence which is their due.
But, while we have been thinking these thoughts, the attendant has been waiting to give us a final plunge into the seething tank. Again we slide down to the eyes in the fluid heat, which wraps us closely about until we tingle with exquisite hot shiverings. Now comes the graceful boy, with clean, cool, lavendered napkins, which he folds around our waist and wraps softly about the head. The pattens are put upon our feet, and the brown arm steadies us gently through the sweating-room and ante-chamber into the outer hall, where we mount
