lions. The two temples of Baalbec stand on an artificial platform of masonry, a thousand feet in length, and from fifteen to thirty feet (according to the depression of the soil) in height. The larger one, which is supposed to have been a Pantheon, occupies the whole length of this platform. The entrance was at the north, by a grand flight of steps, now broken away, between two lofty and elegant pavilions which are still nearly entire. Then followed a spacious hexagonal court, and three grand halls, parts of which, with niches for statues, adorned with cornices and pediments of elaborate design, still remain entire to the roof. This magnificent series of chambers was terminated at the southern extremity of the platform by the main temple, which had originally twenty columns on a side, similar to the six now standing.
The Temple of the Sun stands on a smaller and lower platform, which appears to have been subsequently added to the greater one. ‘The cella, or body of the temple, is complete except the roof, and of the colonnade surrounding it, nearly one-half of its pillars are still standing, upholding the frieze, entablature, and cornice, which altogether form probably the most ornate specimen of the Corinthian order of architecture now extant. Only four pillars of the superb portico remain, and the Saracens have nearly ruined these by building a sort of watch-tower upon the architrave. The same unscrupulous race completely shut up the portal of the temple with a blank wall, formed of the fragments they had hurled down, and one is obliged to creep through a narrow hole in order to reach the interior. Here the original doorway faces you — and I know not how to describe the wonderful design of its elaborate sculptured mouldings and cornices. The genius of Greek art