regular squares, but a labyrinth of intricate designs. In the centre, at the bottom, is a shallow square recess, sur rounded by an elegant, though plain moulding, but there is no appearance of an entrance to the sepulchral chamber, which may be hidden in the heart of the rock. There is an inscription in Greek running up one side, but it is of a later date than the work itself. On one of the tombs there is an inscription: “To King Midas.” These relics are supposed to date from the period of the Gordian Dynasty, about seven centuries before Christ.
A little in front of a headland, formed by the summit walls of two meeting valleys, rises a mass of rocks one hundred feet high, cut into sepulchral chambers, story above story, with the traces of steps between them, leading to others still higher. The whole rock, which may be a hundred and fifty feet long by fifty feet broad, has been scooped out, leaving but narrow partitions to separate the chambers of the dead. These chambers are all plain, but some are of very elegant proportions, with arched or pyramidal roofs, and arched recesses at the sides, containing sarcophagi hewn in the solid stone. There are also many niches for cinerary urns. 'The principal tomb had a portico, supported by columns, but the front is now entirely hurled down, and only the elegant panelling and stone joists of the ceiling remain. The entire hill was a succession of tombs. There is not a rock which does not bear traces of them. I might have counted several hundred within a stone's throw. The position of these curious remains in a lonely valley, shut in on all sides by dark, pine-covered mountains — two of which are crowned with a natural acropolis of rock, resembling a fortress — increases the interest with which they
