at either end rested on slender pillars, over which projected broad eaves, decorated with elaborate carved and gilded work, and above all rose a dome, surmounted by the Crescent. On the right, the tall chimneys of the Imperial kitchens towered above the walls. The sycamores threw their broad, cool shadows over the court, and groups of servants, in gala dresses, loitered about the corridors.
After waiting nearly half an hour, the sound of music and the appearance of the Sultan's body-guard proclaimed the return of the procession. It came in reversed order, headed by the Sultan, after whom followed the Grand Vizier and other Ministers of the Imperial Council, and the Pashas, each surrounded by his staff of officers. The Sultan dismounted at the entrance to the Seraglio, and disappeared through the door. He was absent for more than half an hour, during which time he received the congratulations of his family, his wives, and the principal personages of his household, all of whom came to kiss his feet. Meanwhile, the Pashas ranged themselves in a semicircle around the arched and gilded portico. The servants of the Seraglio brought out a large Persian carpet, which they spread on the marble pavement. The throne, a large square seat, richly carved and covered with gilding, was placed in the centre, and a dazzling piece of cloth-of-gold thrown over the back of it. When the Sultan re-appeared, he took his seat thereon, placing his feet on a small footstool. The ceremony of kissing his feet now commenced. The first who had this honor was the Chief of the Emirs, an old man in a green robe, embroidered with pearls. He advanced to the throne, knelt, kissed the Sultan's patent-leather boot, and retired backward from the presence.
