ribbons on his loom. He is more than sixty years old and now quite gray-headed, but has the same simple manners, the same honest face that attracted his temporary master. He spoke with great enthusiasm of Mr. Irving, and brought out from a place of safety the “Alhambra" and the “Chronicles of the Conquest," which he has carefully preserved. He then produced an Andalusian sash, the work of his own hands, which he insisted on binding around my waist, to see how it would look. I must next take off my coat and hat, and put on his Sunday jacket and jaunty sombrero. "Por Dios!" he exclaimed: “que buen mozo! Señor, you are a legitimate Andalusian!" After this, of course, I could do no less than buy the sash. “You must show it to Washington Irving," said he, "and tell him it was made by Mateo's own hands;" which I promised. I must then go into the kitchen, and eat a pomegranate from his garden — a glorious pomegranate, with kernels of crimson, and so full of blood that you could not touch them but it trickled through your fingers. El Marques, a sprightly dog, and a great slate-colored cat, took possession of my legs, and begged for a share of every mouthful I took, while old Mateo sat beside me, rejoicing in the flavor of a Gibraltar cigar which I gave him. But my time was precious, and so I let the "Son of the Alhambra" go back to his loom, and set out for the Palace of the Moorish Kings.
This palace is so hidden behind the ambitious shell of that of Charles V. that I was at a loss where it could be. I thought I had compassed the hill, and yet had seen no indications of the renowned magnificence of the Alhambra. But a little door in a blank wall ushered me into a true Moorish realm, the Court of the Fishpond, or of the Myrtles, as it is
