LANDSCAPE PAINTING
present day. The grace of line which is this master's chief distinction would be destroyed by the modern method of applying the pigment: and this shows once again the futility of the frequent demand that a single picture shall contain in itself all of the manifold qualities of art.
In landscape, of course, drawing is of secondary importance; color, refraction, and vibration ranking first; but no landscapist must imagine that for this reason a sound knowledge of drawing can be dispensed with. The character of his tree, his stream, his mountain outline is as important as the character of an eye or a mouth in a drawing of the human face. Moreover, a good knowledge of drawing is essential to good workmanship. The charm of a picture often lies in the freshness, the brilliancy, and alacrity of the brush-
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