LANDSCAPE PAINTING
draughtsman, erring through carelessness, to tell him to spend more time with the charcoal and less with the brush. It has been suggested that in order to keep the eye of the student always keyed up in drawing, it might be well to have a class in out-door figure painting connected with every school of landscape art. This idea gained numerous adherents at the time of the wonderful exhibition in New York of the Spanish painter, Sorolla y Bastida. Nor was this to be wondered at; for these brilliant and exquisite studies of out-door Spanish life, the figures throbbing with vitality, and the very air palpitating with the gay southern sunshine, might well excite the enthusiasm of all lovers of art; and their astounding realism, coupled as it was with a true sense of beauty, was the very thing that would be sure to fascinate the younger paint-
[84]
