DRAWING
greatest draughtsmen the world has ever seen, stating at the same time that the character of their work precluded the possibility of really good painting as we moderns conceive it. Depending as it does for its distinction upon extreme delicacy and finesse of line, free and vibrant brush-work was of course not possible. There, fortunately, is another and larger manner of drawing which is peculiarly fitted for the true painter's use. This is drawing by mass, as it is seen in the work of J. F. Millet, Winslow Homer, and the French landscapist Harpignies. As landscape art in its highest expression is a synthetic grouping of masses of delicate and beautiful color, this kind of drawing is that which is made for the landscape painter's special needs. It allows full scope for the true rendering of character in all the principal
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