COMPOSITION
for the human mind is capable of receiving but one impression at a time. An instance of this double motive which recurs constantly in nature is the scene where some handsome landscape is reflected in a pool or stream, the reflection being often more beautiful than the scene which it reflects. It would be fatal to attempt to reproduce both in one picture. The eye of the spectator would not know upon which of the two pictures to rest and neither would make its full impression.
An excellent example of the correct way to treat this motive is to be found in the river views of the Norwegian painter, Fritz Thaulow, who never gives more of the landscape itself than a suggestion at the top of the picture, thus concentrating the attention on the beautiful swirling expanse of water below. The water itself tells all that is
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