PIGMENTS
plus pigment is thoroughly shaken off, a pastel is nearly as indestructible as any other drawing, and this without the use of fixatives. But the worst shortcoming of pastel is its tendency to fade. This is unnecessary and is due solely to carelessness on the part of the manufacturers. The remedy, therefore, is to patronize only the most reliable makers.
Water-color has many of the charms of pastel, with practically no demerits. Its permanence is amply demonstrated by the cartoons of Raphael and Leonardo, while it gives to our work an airy delicacy that can be secured by no other means. Its only disadvantage is also one of its chief attractions—the element of uncertainty always present, for the color dries out a tone lighter than the freshly applied wash, and of course only long training enables one to discount with absolute certainty this subtle change of tone. However, we must admit that
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