ON FRAMING PICTURES
ure which depends for its effect largely upon some graceful and intricate design will show to best advantage in a comparatively flat and simple frame. A simple picture, on the contrary, which is built up with a few broad and powerful masses, will frequently appear best in a rich and ornamental frame, the very richness of design accentuating the simple beauty of the canvas. If, however, the value-scale of a picture is extremely delicate, this must also be taken into account, and the frame, though ornamental in design, should be in low relief, in order to harmonize with the picture which it is to frame. The question of the mat surface and the burnished surface, or the proportion of each to be allowed in a given frame, must depend upon the special picture under consideration, and also upon the individual taste of the painter. The
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