THE SUB-CONSCIOUS SERVANT
I took his advice, and after twenty-five years of the same kind of practice I can at least corroborate his statement in regard to the automatic working of the thoroughly trained memory.
But even where the effect is more lasting, and where a painter might have two or three hours to work direct from nature, I believe that the final picture must always be painted from memory; and I seriously question if any really great landscape was ever wholly painted in the open. A picture painted direct from nature must necessarily be hasty, ill-considered, somewhat raw, and lacking in the synthetic and personal quality which is the distinguishing mark of all great art—unless indeed the work is really done from memory while the painter is standing before nature—which might be the case if he had had time and opportunity to ripen his vision.
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