THE TRUE IMPRESSIONISM
asking if the master would kindly consent to paint a study before the class, "just to show the way he would go about it" to obtain this effect or that. My reply, I remember, was somewhat brusque. "Not on your life," I said. "I will tell you all that I know of the fundamental principles which underlie all good art, and which are everywhere and eternally the same. I will tell you also as much as I personally know of the infinite variety of technical methods which abound in oil painting, and from which it is yours to select at will such as may best suit the temperament or the personal point of view of each of your number. But I will never do you the unkind service of putting you in the way to imitate a technique which, though serviceable to me personally, could no more fit your æsthetic needs than would an old coat
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