LANDSCAPE PAINTING
falls. Where the color-sense is not infallible, for instance, it is safe to avoid the brilliant tones, to deal in a gamut of quiet and delicate hues. I have a friend who, though color-blind, is a clever and successful painter. His pictures sell well, and I doubt if one of his patrons has ever guessed that he must label the red and the green on his palette in order to tell them apart. Discovering his misfortune only after several years of study, he determined to see if by limiting his palette to the scale of yellows, blues, and grays in which his sight was normal, adding only a little touch of red or green here and there to heighten the effect, he might not still produce creditable pictures. He was, fortunately, a good draughtsman, with a fine sense of the picturesque in his arrangement of mass and values. For his specialty he wisely chose town-scapes and street-
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