they render a particular and permanent expression; and the more the eye or any other organ is stimulated and excited, so as to be reflective of the mind, the more will be the development of the organ.
Whilst we shall contend the eye takes the lead in expression, we must admit the other features (especially the mouth) bear the stamp of passions, of genius, of intelligence, and incapacity; and it is the brain, acting through the nerves, which animates the muscles of the nose and the mouth. For ourselves, we insist, the eye only expresses by dictation of the brain, and, indeed, is the brain. This is especially evinced, where the eye has practised any feeling, although it be but artificial and affected. Amongst the great writers on this subject, may be named, Magendie, C. Bell, Camper, Berkeley, and the very celebrated Cuvier. But the vivacity of nature; the variety of temperament and idiosyncracy; the influence of education and climate; food and clothing; sciences and tastes, all influence the expression of the eye. It sometimes assumes a climatic stamp; indeed, the eye of man, like the colour and quality of flowers, varies in various climates, so much so that most learned philosophers often halt, and avow themselves puzzled, and even confused, as one looking on a dizzy cataract of waters. The eye occasionally seems to defy the criticism of fellow-mortals, and to say I also am divine, and will not be searched into, except by my Creator. We must say no more on this part of the subject, as we have promised to write in a popular manner; but for this we should delight to explain the nature of sensation, sympathies, and synergies, and explain direct sympathies in variance with cerebral sympathies; and, although all these subjects appear very technical and tedious, we would again assure the reader, the more they are investigated the greater will
