If it be asked, “What is blue?” blue is perhaps pointed out in order that the perception of it may be acquired; in the general idea, however, this perception is already included. What is sought after in this question, when seriously put, is rather the knowledge of the Notion; it is to know blue as a relation of itself within itself, to know determinations in their distinctness and in their unity. Blue, according to Goethe’s theory, is a unity of light and dark, and of such a kind that in it the dark element is the foundation, and what disturbs this darkness is something different, a light-giving element, a medium by means of which we see this darkness. The sky is darkness, is obscure; the atmosphere clear; through this clear medium we see the blue.
Thus God, as the content of idea, is still in the form of simplicity. Now, when we think this simple content, distinct characteristics or attributes have to be indicated, whose unity, so to speak, whose sum, or, more accurately, whose identity, constitutes the object. Orientals say God has an infinite number of names, that is, of attributes; to pronounce exhaustively what He is would be impossible. If, however, we are to grasp the notion of God, He must have distinct attributes, and these have to be reduced to a narrow circle, in order that by means of these and the unity of the attributes, the Object may be complete.
b. A more definite category is the following. In so so far as a thing is thought of, it is posited in relation to an Other. Either the object is known in itself as the mutual relation of elements which are distinguished, or as the relation of itself to an Other which we know outside of it. In idea, or ordinary conception, we always have qualities which are distinct, whether they belong to a whole or are arranged separately.
In thought, however, we become conscious of the contradiction of those elements which are at the same time supposed to constitute One. If they contradict each other, it does not seem as if they could belong to what is