criticise. I understood that he could be greatly cheered by the flag of the country he had left behind.
We now neared a small dock from which two ladies brandished handkerchiefs at us, and were presently welcomed by them. I had no difficulty in identifying the Mrs. Charles Belknap-Jackson, a lively featured brunette of neutral tints, rather stubby as to figure, but modishly done out in white flannels. She surveyed us interestedly through a lorgnon, observing which Mrs. Effie was quick with her own. I surmised that neither of them was skilled with this form of glass (which must really be raised with an air or it's no good); also that each was not a little chagrined to note that the other possessed one.
Nor was it less evident that the other lady was the mother of Mrs. Belknap-Jackson; I mean to say, the confirmed Mixer—an elderly person of immense bulk in gray walking-skirt, heavy boots, and a flowered blouse that was overwhelming. Her face, under her grayish thatch of hair, was broad and smiling, the eyes keen, the mouth wide, and the nose rather a bit blobby. Although at every point she was far from vogue, she impressed me not unpleasantly. Even her voice, a magnificently hoarse rumble, was primed with a sort of uncouth good-will which one might accept in the States. Of course it would never do with us.
I fancied I could at once detect why they had called her the "Mixer." She embraced Mrs. Effie with an air of being about to strangle the woman; she affectionately wrung the hands of Cousin Egbert, and had grasped my own tightly before I could evade her, not having looked for that sort of thing.
