You're a peach of a little mixer all right. Come on! Everybody goes. They'll even let me in. I can give this here piece to Henshaw and then we'll spend a little money to help the band-boys along."
My misgivings were by no means dispelled, yet as the affair seemed to be public rather than smart, I allowed myself to be led on.
Into another street of residences we turned, and after a brisk walk I was able to identify the "front yard" of which my companion had spoken. The strains of an orchestra came to us and from the trees and shrubbery gleamed the lights of paper lanterns. I could discern tents and marquees, a throng of people moving among them. Nearer, I observed a refreshment pavilion and a dancing platform.
Reaching the gate, Cousin Egbert paid for us an entrance fee of two shillings to a young lady in gypsy costume whom he greeted cordially as Beryl Mae, not omitting to present me to her as Colonel Ruggles.
We moved into the thick of the crowd. There was much laughter and hearty speech, and it at once occurred to me that Cousin Egbert had been right: it would not be an assemblage of people that mattered, but rather of small tradesmen, artisans, tenant-farmers and the like with whom I could properly mingle.
My companion was greeted by several of the throng, to whom he in turn presented me, among them after a bit to a slight, reddish-bearded person wearing thick nose-glasses whom I understood to be the pressman we were in search of. Nervous of manner he was and preoccupied with a notebook in which he frantically scribbled items from
