nounced as "Ghosts; a Drama for Thinking People," this part was entitled on their programme, "Gloats; a Dram for Drinking People," a transposition that should perhaps suffice to show the dreadful lengths to which they went; yet I feel that the thing should be set down in full.
The stage was set as our own had been, but it would scarce be credited that the Kenner woman in male attire had made herself up in a curiously accurate resemblance to Belknap-Jackson as he had rendered the part of Oswald, copying not alone his wig, moustache, and fashion of speech, but appearing in a golfing suit which was recognized by those present as actually belonging to him.
Nor was this the worst, for the fellow Hobbs had copied my own dress and make-up and persisted in speaking in an exaggerated manner alleged to resemble mine. This, of course, was the most shocking bad taste, and while it was quite to have been expected of Hobbs, I was indeed rather surprised that the entire assembly did not leave the auditorium in disgust the moment they perceived his base intention. But it was Cousin Egbert whom they had chosen to rag most unmercifully, and they were not long in displaying their clumsy attempts at humour.
As the curtain went up they were searching for him, affecting to be unconscious of the presence of their audience, and declaring that the play couldn't go on without him. "Have you tried all the saloons?" asked one, to which another responded, "Yes, and he's been in all of them, but now he has fled. The sheriff has put bloodhounds on his trail and promises to have him here, dead or alive."
"Then while we are waiting," declared the character
