"But it is Tuesday," I said.
"Sure," he replied, "that's where the joke comes in."
Of course this was the crudest sort of American humour and not to be given a moment's serious thought, so I redoubled my efforts to detach him from our honest but noisy friends, and presently had the satisfaction of doing so by pleading that I must be up early on the morrow and would also require his assistance. At parting, to my embarrassment, he insisted on leading the group in a cheer. "What's the matter with Ruggles?" they loudly demanded in unison, following the query swiftly with: "He's all right!" the "he" being eloquently emphasized.
But at last we were away from them and off into the darker avenue, to my great relief, remembering my garb. I might be a living wire, as Cousin Egbert had said, but I was keenly aware that his overalls and hat would rather convey the impression that I was what they call in the States a bad person from a bitter creek.
To my further relief, the Floud house was quite dark as we approached and let ourselves in. Cousin Egbert, however, would enter the drawing-room, flood it with light, and seat himself in an easy-chair with his feet lifted to a sofa. He then raised his voice in a ballad of an infant that had perished, rendering it most tearfully, the refrain being, "Empty is the cradle, baby's gone!" Apprehensive at this, I stole softly up the stairs and had but reached the door of my own room when I heard Mrs. Effie below. I could fancy the chilling gaze which she fastened upon the singer, and I heard her coldly demand, "Where are your feet?" Whereupon the plaintive voice of
