from any effect that the alcohol might have had upon me, it was not until this moment that I most horribly discovered myself to be in the full cow-person's regalia I had donned in the studio in a spirit of pure frolic. I mean to say, I had never intended to wear the things beyond the door and could not have been hired to do so. What was my amazement then to find my companions laboriously lifting me from the cab in this impossible tenue. I objected vehemently, but little good it did me.
"Get a policeman if he starts any of that rough stuff," said the Tuttle person, and in sheer horror of a scandal I subsided, while one on either side they hustled me through the hotel lounge—happily vacant of every one but a tariff manager—and into the lift. And now I perceived that they were once more pretending to themselves that I was in a bad way from drink, though I could not at once suspect the full iniquity of their design.
As we reached our own floor, one of them still seeming to support me on either side, they began loud and excited admonitions to me to be still, to come along as quickly as possible, to stop singing, and not to shoot. I mean to say, I was entirely quiet, I was coming along as quickly as they would let me, I had not sung, and did not wish to shoot, yet they persisted in making this loud ado over my supposed intoxication, aimlessly as I thought, until the door of the Floud drawing-room opened and Mrs. Effie appeared in the hallway. At this they redoubled their absurd violence with me, and by dint of tripping me they actually made it appear that I was scarce able to walk, nor do I imagine that the costume I wore was any testimonial to my sobriety.