sang Namgay Doola again and again, and I racked my brain for that lost tune. It was not till after dinner that I discovered some one had cut a square foot of velvet from the centre of my best camera-cloth. This made me so angry that I wandered down the valley in the hope of meeting the big brown bear. I could hear him grunting like a discontented pig in the poppy-field, and 1 waited shoulder deep in the dew-dripping Indian corn to catch him after his meal. The moon was at full and drew out the rich scent of the tasselled crop. Then I heard the anguished bellow of a Himalayan cow, one of the little black crummies no bigger than Newfoundland dogs. Two shadows that looked like a bear and her cub hurried past me. I was in act to fire when I saw that they had each a brilliant red head. The lesser animal was trailing some rope behind it that left a dark track on the path. They passed within six feet of me, and the shadow of the moonlight lay velvet-black on their faces. Velvet-black was exactly the word, for by all the powers of moonlight they were masked in the velvet of my camera-cloth! I marvelled and went to bed.
Next morning the Kingdom was in uproar. Namgay Doola, men said, had gone forth in the night and with a sharp knife had cut off the tail of a cow belonging to the rabbit -faced villager who had betrayed him. It was sacrilege unspeakable against the Holy Cow. The State desired his blood, but he had retreated into his hut, barricaded the doors and windows with big stones, and defied the world.
The King and I and the Populace approached the hut cautiously. There was no hope of capturing the man without loss of life, for from a hole in the wall projected the muzzle of an extremely well-cared-for gun—the only gun in the State that could shoot. Namgay Doola had
