than justice, and has been twice engraved. One is a correct copy of this picture and has been widely circulated. The other, smaller and less pleasing, has place in Bell’s British Poets; said also to be from Sir Joshua’s pencil and engraved by Bartolozzi.[1] The date given to this print is May, 1787. It will be seen by the preceding pages that another portrait was executed by Ozias Humphrey and transmitted to Lord Charlemont, of the fidelity of which his lordship speaks highly. I have not, however, seen it. In his collection of prints of the Literary Club, his own stands number thirty-one.
The lady already mentioned, now resident in Ireland, who with her father visited him during childhood in London, thus describes his exterior:—
His countenance had a most pleasing expression of sensibility and serenity. When I saw him, his dress was unlike that of most other gentlemen of the time. He wore a light blue coat, white silk stockings, and I think buckles in his shoes. His hair was white and tied behind. I remember him taking some pains to make me recite effectively before Mr. Windham, some lines which he had taught me from one of Bishop Heber’s prize poems. . . . .
The death of Mr. Windham was deeply felt by Mr. Malone. Indeed, all his attachments were strong and durable, never neglecting their interests or gratification in smaller as in greater matters. His habits were methodical. He loved London, and seldom left it excepting for occasional excursions during the summer. James Boswell (the younger) was a frequent visitor at his house when we were there, and likewise Mr. Courtenay. . . . . That house was in Queen Anne Street East, and the only one I believe he ever inhabited in London, though one end of the street became- ↑ Among his letters is a note from Bartolozzi, requesting payment for some of his labours, being then, as he said, hard pressed for money.
