graver and etching nothing; so that the plates lose little by having a few hundred impressions taken ofif.
These Inventions to the Book of Job, which may be regarded as the works of Blake's own hand, in which he most unreservedly competes with others—belonging as they do in style to the accepted category of engraved designs—consist of twenty-one subjects on a considerably smaller scale than those in the Grave, each highly wrought in light and shade, and each surrounded by a border of allusive design and inscription, executed in a slighter style than the subject itself. Perhaps this may fairly be pronounced, on the whole, the most remarkable series of prints on a scriptural theme which has appeared since the days of Albert Dürer and Rembrandt, widely differing, too, from either.
Except the Grave, these designs must be known to a larger circle than any other series by Blake; and yet they are by no means so familiar as to render unnecessary such imperfect reproduction of their intricate beauties as the scheme of this work made possible, or even the still more shadowy presentment of verbal description.
The first among them shows us the patriarch Job worshipping among his family under a mighty oak, surrounded by feeding flocks, range behind range, as far as the distant homestead, in a landscape glorified by setting sun and rising moon. 'Thus did Job continually,' the leading motto tells us. In the second plate we see the same persons grouped, still full of happiness and thanksgiving. But this is that day when the sons of God came to present themselves before the Lord, and Satan came also among them; and above the happy group we see what they do not see, and know that power is given to Satan over all that Job has. Then in the two next subjects come the workings of that power; the house falling on the slain feasters, and the messengers hurrying one after another to the lonely parents, still with fresh tidings of ruin. The fifth is a wonderful design. Job and his wife still sit side by side, the closer for their misery, and still,
