the Lord answers Job out of the whirlwind, dreadful in its resistless force, but full also of awakening life, and rich with lovely clinging spray. Under its influence, Job and his wife kneel and listen, with faces to which the blessing of thankfulness has almost returned. In the next subject it shines forth fully present again, for now God Himself is speaking of His own omnipotence and right of judgment—of that day of creation 'when the morning stars sang together, and all the sons of God shouted for joy.' All that He says is brought before us, surrounding His own glorified Image; while below, the hearers kneel rapt and ecstatic. This is a design which never has been surpassed in the whole range of Christian art. Very grand, too, is the next, where we see Behemoth, chief of the ways of God, and Leviathan, king over the children of pride. The sixteenth plate, to which we now come, is a proof of the clear dramatic sense with which Blake conceived the series as a whole. It is introduced in order to show us the defeat of Satan in his contest against Job's uprightness, Here, again, is the throned Creator among His angels, and beneath Him the Evil One falls with tremendous plummet-force; Hell naked before his face, and Destruction without a covering. Job with his friends are present as awestruck witnesses. In the design which follows, He who has chastened and consoled Job and his wife is seen to bestow His blessing on them; while the three friends, against whom 'His wrath is kindled,' cover their faces with fear and trembling. And now comes the acceptance of Job, who prays for his friends before an altar, from which a heart-shaped body of flame shoots upward into the sun itself; the background showing a distant evening light through broad tree-stems—the most peaceful sight in the world. Then Job's kindred return to him, 'every one also gave him a piece of money and every one an earring of gold.' Next he is seen relating his trials and mercies to the new daughters who were born to him—no women so fair in the land. And, lastly, the series culminates in a scene of music and rapturous joy,
