medallion or wood-carving; the trees, drawn always as they might be carved in the woodwork of an old church. Further instances of the same kind may be found in the curious sort of painted chamber, showing the themes of his discourse, in which Job addresses his daughters in plate 20; and in the soaring trumpets of plate 21, which might well be one of the rich conceptions of Luca della Robbia.
Nothing has yet been said of the borders of illustrative design and inscription which surround each subject in the Job. These are slight in manner, but always thoughtful and appropriate, and often very beautiful. Where Satan obtains power over Job, we see a terrible serpent twined round tree-stems among winding fires, while angels weep, but may not quench them. Fungi spring under baleful dews, while Job prays that the night may be solitary, and the day perish wherein he was born. Trees stand and bow like ghosts, with bristling hair of branches, round the spirit which passes before the face of Eliphaz. Fine examples also are the prostrate rain-beaten tree in plate 13; and, in the next plate, the map of the days of creation. In plate 18 (the sacrifice and acceptance of Job), Blake's palette and brushes are expressively introduced in the border, lying, as it were, on an altar-step beside the signature of his name. That which possesses the greatest charm is, perhaps, the border to plate 2. Here, at the base, are sheepfolds watched by shepherds: up the sides is a trellis, on whose lower rings birds sit upon their nests, while angels, on the higher ones, worship round flame and cloud, till it arches at the summit into a sky full of the written words of God.
Such defects as exist in these designs are of the kind usual with Blake, but far less frequent than in his more wilful works; indeed, many among them are entirely free from any damaging peculiarities. Intensely muscular figures, who surprise us by a sort of line round the throat, wrists, and ankles, but show no other sign of being draped, are certainly to be sometimes found here as elsewhere, but not many of them. The lifted arms and pointing arms in
