Page:Life of William Blake 2, Gilchrist.djvu/232

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174
SELECTIONS FROM BLAKE'S WRITINGS.

spiritual, and laugh at mortal contingencies. Let us teach Buonaparte, and whomsoever else it may concern, that it is not arts that follow and attend upon empire, but empire that attends upon and follows the arts. It is in their power to hinder instruction but not to instruct; just as it is in their power to murder a man, but not to make a man.

I do not pretend to paint better than Raphael or Michael Angelo, or Giulio Romano, or Albert Dürer; but I do pretend to paint finer than Rubens, or Rembrandt, or Correggio, or Titian. I do not pretend to engrave finer than Albert Dürer; but I do pretend to engrave finer than Strange, Woollett, Hall, or Bartolozzi; and all because I understand drawing, which they understood not. Englishmen have been so used to journeymen's undecided bungling, that they cannot bear the firmness of a master's touch. Every line is the line of beauty; it is only fumble and bungle which cannot draw a line. This only is ugliness. That is not a line which doubts and hesitates in the midst of its course.

I know my execution is not like anybody else's. I do not intend it should be so. None but blockheads copy one another. My conception and invention are, on all hands, allowed to be superior; my execution will be found so too. To what is it that gentlemen of the first rank both in genius and fortune have subscribed their names? To my inventions. The executive part they never disputed.

The painters of England are unemployed in public works, while the sculptors have continual and superabundant employment. Our churches and our abbeys are treasures of their producing for ages back, while painting is excluded. Painting, the principal art, has no place among our almost only public works. Yet it is more adapted to solemn ornament than marble can be, as it is capable of being placed in any height, and, indeed, would make a noble finish, placed above the great public monuments in Westminster, St. Paul's, and other cathedrals. To the Society for the Encouragement of Art I address myself with respectful duty, requesting their