vice. The esprit gaulois is the spirit of primitive man going straight to its end, regardless of fetter or law. The esprit français is equally natural; but then it has acquired a certain degree of civilisation. It has less width of scope; it has learned the little concessions men are bound to make one another, having associated longer with them. It has left hodden grey, and taken to the silken doublet and cap of velvet, and rubs elbows with men of rank. It has lost nothing of its good sense and good temper; but it feels no longer bound in every case to blurt its thought right out; already it leaves something to be guessed at. It is all a question of civilisation and surroundings. But above and beyond this, it must be allowed to be conditioned by the essential distinction between genius and talent. The former does what it likes, 'tis lord and master; the latter is, by its very nature, a creature of compromise.
Brantome possesses all the verve and brightness of a genuine Frenchman. All the conditions of life are highly favourable for him; he is rich and noble, while intelligence and wit are stamped on his very face. He wins his first spurs under François de Guise, whose protégé he is; when he has had enough of war, he comes to Court. There he receives the most flattering of receptions, every Catholic Noble extending him the hand of good fellowship. His family connections are such, that on the very steps of the throne is a voice ready to call him cousin, and a charming woman's lips to smile on him with favour. 'Tis a good start; henceforth it is for his moral and intellectual qualities to achieve the career so auspiciously begun.
As I have said already, Brantôme is the finished type of a Frenchman of quality. Well taught and witty, brave
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