complete and perfect in her loveliness; but such an one is ill to find. Thus do we find it recorded of Zeuxis, the famous painter, how that being asked by sundry honourable ladies and damsels of his acquaintance to make them a portrait of the fair Helen of Troy and depict her to them as beautiful as folk say she was, he was loath to refuse their prayer. But, before painting the portrait, he did gaze at them all and each steadfastly, and choosing from one or the other whatever he did find in each severally most beautiful, he did make out the portrait of these fragments brought together and combined, and by this means did portray Helen so beautiful no exception could be taken to any feature. This portrait did stir the admiration of all, but above all of them which had by their several beauties and separate features helped to create the same no less thans Zeuxis himself had with his brush. Now this was as good as saying that in one Helen 'twas impossible to find all perfections of beauty combined, albeit she may have been most exceeding fair above all women.
Be this as it may, the Spaniard saith that to make a woman all perfect, complete and absolute in loveliness, she must needs have thirty several beauties,[3] the which a Spanish lady did once enumerate to me at Toledo, a city where be very fair and charming women, and well instructed to boot. The thirty then are as followeth:
(Translated, for the reader's better comprehension:)
Three things white: skin, teeth and hands.
Three black: eyes, brows and lids.
Three red: lips, cheeks and nails.
Three long: body, hair and hands.
Three short: teeth, ears and feet.
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